Music Festival Review | The Nomadic Groove

Finding My WayHome

July 29, 2016May 24, 2017
by Courtney Smith

Melding the best of Coachella and Bonnaroo, WayHome Music and Arts Festival is a refreshing change for music festival lovers. Returning to Burl’s Creek, just north of Toronto for its sophomore year from July 21-24, the festival brought a much needed chill festival vibe to the city’s music lovers.

The three day camping festival began early, on Thursday night, with a performance by Toronto band The Darcys during the ArtWalk, allowing attendees to enter the grounds a day early to visit and admire the art installations that were set up in the grounds for the weekend.

This year’s festival saw a heavily filled lineup of top Canadian talent including Half Moon Run, Arcade Fire, Shad, and Metric. The festival once again encompassed a variety of musical genres, with Major Lazer and Keys N Krates bringing their electronic beats, Rae Sremmurd and Vince Staples covering the hip hop aspect of the lineup, and Third Eye Blind, The Killers and LCD Soundsystem providing the soundtrack for festival goers born in the 90s to sing along with.

Utilizing the grounds to its full capacity, the four stages were thoughtfully set up to avoid any sound bleeding between stages. Once again, the WayAway stage proved to be a hidden gem in the grounds. Tucked away among a grove of trees, the picturesque stage not only provided relief from the heat for fans, but also saw some of the best performances of the weekend including Marian Hill’s unique electro-jazzy sound and The Paper Kites mellow folky tunes.

The heat was extreme this year but the well organized festival ensured attendees could stay hydrated with free water refill stations provided throughout the grounds, along with free Vitamin Water. The cashless RFID wristband system implemented this year allowed attendees to simply swipe their wristbands at vendors and alcohol tents, giving them a means to quickly purchase items.

While some of the art installations were reminiscent of other big American festivals that I’ve attended, including the balloon train from Coachella and the flags from the grounds at Mysteryland, there were many unique pieces for fans to stumble upon and discover throughout the weekend.

The festival’s signature “W” structure welcomed WayHomies into the grounds every day while the “I Feel You” flower arch became the motto of the weekend for many. However I’d still love to see more unique, random art installations. The event is billed as a music and arts festival and the art component could have been stronger.

The vibe of the festival was very laid-back, many people appearing to go with the flow as they explored the grounds and what it had to offer. Hammocks hung from trees, with fans watching shows from the comfort of swinging a few inches off the grounds, and Muskoka chairs were set up by the WayBright stage for attendees to rest their weary feet.

Although there was no silent disco this year (at least none this girl could find), the festival afterparties were rampant in the campgrounds, with newfound friends staying up until all hours of the morning dancing and reminiscing on the days’ events.

The first official full day of the festival saw the talented Gary Clark Jr. rip his guitar anew, shredding apart the WayHome stage, while LCD Soundsystem took to the stage later in the day to bring their unique and classic electro-pop sound under the starry night sky. Matt and Kim closed out the evening with their fun indie pop sound at the WayBold stage, guarded by the two unknown, black and white portraits framing the stage. Toronto favourites Keys N Krates threw down an epic electronic set that kept the crowd dancing and the totems bouncing to close down the WayBright stage.

Saturday saw 90s favourites Third Eye Blind performing some of their classic tunes such as “Semi-Charmed Life” midday at the WayHome stage, while Arcade Fire closed out the stage with an epic fireworks show to their hit “Wake Up.” Of course, one of the highlights from Saturday was Chet Faker’s groovy set that saw the talented Australian producer jumping from keyboard to synth to vocals, to perform some of his classics along with some of his newer sensual songs like “Gold.”

By the final day of the festival, the sun and extreme heat had taken its toll on many people, but BØRNS brought fans back to life with an early and energetic set at WayBold. Famous sisters Haim characteristically bantered with one another during their performance at the WayHome stage, following Stars’ beautifully quirky performance and preceding the final show of the weekend by The Killers. The Killers kept the crowd dancing and singing along throughout the entirety of their performance, shooting confetti into the crowd for one final festival pump up.

Many people that I spoke with had qualms about the lineup lacking in a lot of big name, popular artists this year. But it was nice to see so much Canadian talent at a Canadian based festival. It provided attendees with the opportunity to discover so much new music and some incredible up and coming talent. I will definitely be following a number of the lesser known stellar acts that I was fortunate enough to be introduced to.

Organizers appeared to have worked out many of the kinks from the inaugural year to execute a well-planned and top notch event for their return to Burl’s Creek. Taking ideas from the more successful parts of some of the best festivals in the world guaranteed attendees an awesome experience. Most importantly, the mellow atmosphere provided WayHomies with the opportunity to attend a large scale music and arts festival, easily accessible to the city of Toronto, with a vibe that is unlike any other festival in the area. And because of that, I look forward to heading home again #soon.

Festival Reviews

Discovering an Electric Forest

July 1, 2016May 21, 2017
by Courtney Smith

They say you find yourself at Electric Forest. I don’t know if that’s true for everyone but, it seems that most people that go find something. The forest promises festival goers with the potential to discover and stumble upon some magical things.

It is set up so that you can follow the walkways from stage to clearing to stage, or venture off the beaten path and discover a wide range of art pieces, installations, people and creatures, for completely unique and new experiences.

The early arrival pass provides festival goers with the opportunity to enter the campgrounds a day early, setting up camp and getting settled in before the crowds arrive. Although there were no shows this year (other than the Electric Forest radio station playing only music from the performing artists) or scheduled activities (other than exploring the vendor stalls at the marketplace), the extra day proved to be vital to the festival experience as attendees were able to wake up in the campgrounds Thursday, set and ready to go for the four-day weekend.

Walking into the festival grounds, it was difficult to continue past the first stage. The Tripolee stage had a stellar lineup that had beats bopping across the grounds throughout the day with heavy hitters like Bonobo, Adventure Club and Flosstradamus taking over at night – and then it played host to yoga every day at noon.

One of the most beautiful things I saw at Electric Forest wasn’t the forest lit up at night in a multitude of colours, or all the people swinging in hammocks that were set up between the trees, but the precision with which the rows of trees had symmetrically grown.

This natural beauty surrounding the forest allowed festival organizers to set up a magical atmosphere. They used the trees to their full advantage when they developed an immersive experience for attendees.

Cartoonish clouds dangling from above led festival goers to a piano that was set up in a small clearing, allowing them to take turns playing a few notes or a few songs. A silent disco was set up beneath the shade of the towering trees, where the sun peaks playfully through as it sets for the day, with a lone monarch butterfly fluttering from dancer to dancer, carrying with it the magic of the woods. A VW bus was parked in the woods with a garden flowering inside as hippies passed around doobies to share, relishing in the beauty of the surrounding grounds.

This only begins to touch on the beauty of Electric Forest.

While there were multiple stages set up in clearings, it was the few within the forest that were the most glorious for me. These stages took a bit of wandering around to find, but once discovered, they held some of the best sets of the weekend. With Gilligan Moss playing an impossible to leave, acid house set at The Observatory, and many days spent jamming under the trees at the Forest Stage as regal, French Quarter characters slowly infiltrated the grounds, it was difficult to tell reality from imagination.

The fantastical is the norm at Electric Forest. From a zebra walking on stilts following the rest of his zoo friends through the woods, to other stilt-walking performers spreading their legs wide to make an archway for attendees to walk under, every day in the forest held new surprises and new discoveries.

The Hangar, for instance, was one place where festival goers could go for a tasty margarita or delicious IPA before grabbing a seat at a table that was set up in front of the stage. Pin-up girls walked around offering candy to attendees, transporting every one back to the 1920s. And if you had the patience to wait, you could get a free massage from a girl dressed in head-to-toe purple satin, using a car buffer to buff out the knots in your back and legs. Or if you were feeling a little hairy, you could head over to the barber shop in The Hangar for a shave.

The lineup for this year’s forest was stacked, with performances by jam bands and DJs crossing a variety of electronic genres. The String Cheese Incident graced attendees with three lengthy jam sessions, finishing their performances with an epic fireworks show. The Disco Biscuits also took the stage along with a midday performance by Nahko and The Medicine People that treated listeners to beautiful lyrics accentuated by the insanely unique voice of Nahko.

Mija was scheduled three times including her B2B with Anna Lunoe, and somehow incorporated Tame Impala into her opening set for her B2B at Tripolee on Saturday night. DirtyBird legend Justin Martin was welcomed to the Forest Stage for AC Slater’s curated Night Bass event that also saw an epic surprise set by Gorgon City. And if you were lucky enough to be at the right spot at the right time you might have had the opportunity to see fan favourite and festival vet GRiZ leading a parade into the forest with his saxophone before closing out Sherwood Court on Sunday night. He also took part in the surprise set at The Observatory on Saturday night that left the whole crowd singing along to Roses by Outkast.

Other than a few mishaps, including an equipment malfunction that saw the stage right speakers at Neon Indian’s set soundless, all the artists brought their A-game to the forest. The speaker blow out during Neon Indian’s set was quite unfortunate though as the group was performing a cool set that used lived instrumentals, electronic synthesizers and a wicked light show to complement the sounds.

However, the thought process behind providing festival goers with a wonderful musical experience was apparent. The stages in Sherwood Forest were set up very close to one another yet sound bleeding between stages was not noticeable.

I’m amazed I made it to any of the shows though. It was so easy to get lost in the forest, the fantastical installations and performers easily distracting me on my walks between the stages. But that distraction always led to an adventure that became just as much a part of the Electric Forest experience as the music, and added to the beauty of the journey into self-discovery.

Festival Reviews

Five Favourite Moments From Electric Forest

June 29, 2016May 21, 2017
by Courtney Smith

I still haven’t fully washed off the mud that has caked on to my feet from Electric Forest, so to ease those muddy feet back into the real world I have put together a list of my five favourite moments from this year’s festivities.

1. Discovering all the forest has to offer

Two of the most beautiful things about Electric Forest were the unique venue in which it regularly takes place, and the ability to get lost on the festival grounds, exploring the activities and decorations that light up the forest itself. The photos of the festival don’t give you a true sense of the experience.

From the light-up clouds deep in the woods that led me from tree to tree, to the golden Hybycozo art pieces that dangled from high above welcoming festival-goers into the forest, the festival had so much to offer – if you were willing to let yourself go and explore. I don’t want to give everything away for future attendees, as discovering the forest is just as much part of the experience.

I will say though that anyone who attends Electric Forest can look forward to stumbling across a soothing garden with miniature Buddhas. Or finding a small temple with heart-shaped archways where festival-goers can write messages to lost loved ones. The forest held so many beautiful creatures, some on stilts, some in shoes, but all in costume and character, who wandered through the forest, interacting with festival-goers and bringing so much joy as they infiltrated the woods.

2. The Colorado Kaleidoscope

The Observatory held so much more for festival-goers than just music. Although this was also a stage that held some of the best nighttime surprise sets, The Observatory was set up in a way where festival-goers could climb up to a second level and watch the performance on the stage below from a comfortable vantage point.

The second floor of this viewing area was built on top of a mini marketplace where vendors were set up selling their products. One of the vendors in this particular marketplace was Leifers Look. Established in Colorado, the kaleidoscope stand had set up a large, wooden kaleidoscope for attendees to peer into and test out their product. Upon peering into the kaleidoscope and having someone turn the wheel for you, you would see all these different geometric shapes and colours melt into one before reshaping themselves.

After discovering the joy of this nifty toy, and admiring the beauty of the visuals, it was just as much fun and just as joyful to watch the expression of those individuals walking by who decided to stop in for a peek to ease their curiosity. The look of pure amazement and joy on everyone’s face as they discovered the beauty of the kaleidoscope was absolutely fantastic.

3. Kettle Corn

Speaking of pure joy… Although I personally did not try the kettle corn, the joy over the discovery of delicious free kettle corn by one of my campmates puts it in my Five Favourite Moments. During a quick journey back to camp to grab essentials for the night, one of the returning camp members became distracted by the smell of the kettle corn as we walked by the Candy Shoppe (and yes, there is a Candy Shoppe in the middle of the forest).

After turning around to find that the aforementioned campmate was no longer with the returning group, and completely baffled as to where he could have gone, he came bouncing out from behind the Candy Shoppe and loped down the hill like a baby T-Rex. “Guuyyyysssss,” he said with popcorn still in his beard and looking as though he could not believe what he had just experienced. “You have to try the kettle corn.”

4. Stumbling across Preservation Hall Jazz Band

The seven-piece jazz band brought the grooviness to the forest on three different occasions, with sets at varying stages. However, it wasn’t until spending some time wandering around the festival that I was fortunate enough to get drawn in to The Observatory by the funky tunes that the band was playing.

With tuba, saxophones, clarinet, trumpet and trombone, Preservation Hall Jazz Band treated attendees to an awesome dance party that had the intimate crowd swing dancing with one another.

5. Beach Day

Within a half hour drive of the festival location in Michigan, there are some incredible sand dunes. Electric Forest allows campers to leave the festival in their vehicles whenever they please and return to their initial camp spot.

After a few days of dancing in the hot sun and frolicking through the dusty woods, a morning group excursion to the nearby beach for a swim was gold. After our 30 minute drive and a steep and challenging climb up to the top of the dunes, it was easy to feel as though we had been transported to another planet. Or at least another part of the world. As far as I could see, smooth sand was rolling up and down, meeting the big blue sky. After a short walk across the dunes, we came across a steep, sandy hill that led down to the beach and opened up onto the cool, lake water below.

Bonus

The magical monarch that flitted from person to person in the silent disco, carrying with it the beauty of the festival on its delicate wings.

Canada

Bestival Masters Its Second Year In Toronto

June 15, 2016May 21, 2017
by Courtney Smith

Bestival Toronto was unlike any other Toronto-based music festival – in the best way possible. With fully immersive environments, a musical lineup that embraced house and rock music, and a new, easily accessible location, Bestival was a well planned music festival that catered beautifully to the young, hip crowd of Toronto.

The festival itself did not feel like the standard, North American festival, somehow embracing a more laid-back energy. Maybe its because Bestival started in the U.K., dreamt up by Rob da Bank of England’s Sunday Best Recordings. Or because quite a few of the performers including Jamie XX and The Cure are British. Or maybe it was because of the trio of Brits giving out “free shrugs,” with one of the three being dressed head-to-toe in the Union Jack. Nevertheless, you couldn’t help but feel as though you had been transported out of the 6ix for the weekend to a magical festival on the Isle of Wight.

The festival’s unique concept, with a “Summer of Love” theme, dress-up parades, art scattered around the grounds, and activities to take attendees “beyond the music,” provided Toronto with a weekend event that should become a summer staple for all Torontonians.

The eclectic musical lineup for the two-day event saw Tame Impala headlining alongside The Cure. There were also performances by heavy house hitters Jamie XX and Porter Robinson, and a set by festival co-founder Rob da Bank.

Jamie XX performed on the Main Stage early Saturday evening, providing a bopping set for fans until his music came unplugged. After a few confusing minutes for fans and the performer himself, Jamie XX was plugged back in, finishing his set with the interrupted “Gosh.” While the fans all seemed super excited to have him finish his set, the momentary pause and confusion was a bit of a downer and Jamie XX definitely didn’t have the opportunity to showcase his range of talents in only one hour.

ODESZA followed Jamie XX’s performance in the pre-closing slot, taking to the Main Stage Saturday as the sun was setting over the festival grounds. The duo put on an incredible performance that saw the use of live vocals, drums and a mixer that allowed them to perform live renditions of original tunes and covers, including a phenomenal, chilled out cover of Faded by ZHU. ODESZA was followed by Saturday’s headliner Tame Impala, who put on a stellar show, filled with trippy visuals that perfectly complimented the psychedelic nature of their music.

On day two, the event saw the soft, melodic voice of Daughter serenading the late afternoon crowd over at the Main Stage while Thomas Jack took to The Big Top in the evening. Thomas Jack’s music provided festival-goers with a dance infused set that saw him mixing expertly between genres, hair bouncing around as he jammed out with the crowd, huge smile on his face. Lee Foss was given a two-hour sunset slot at the Bollywood Stage that had the crowd dancing through the entirety of his set, before Dubfire closed down the stage with a fiery performance.

It was unfortunate that the festival organizers had to deal with the local city noise bylaws because this meant that the music and festivities on the grounds had to stop at 11 p.m. The Bollywood Stage, while still bopping during the day, had the potential for an epic show at night, taking advantage of the darker environment to show off special effects and lighting. However, with the sun setting around 9 p.m., festival-goers were only given a two hour nighttime show there. As well, many of the artists, although still mixing awesome dance sets for attendees to jam to during the day, could have put on epic performances once the sun had set and the stage had come to life.

A big change this year though was its new location. Last year’s event at Centre Island had a few logistical problems. The only way to get there was by boat, whether the public ferry or by hiring a private water taxi. While not so much an issue getting to the festival, this resulted in attendees having to wait an excessively long time to leave the festival by catching the very limited ferry service back to the mainland at the end of the night. This year’s event at Woodbine Park meant more transportation to and from the festival was available for attendees making for a much quicker journey home, or to the official Bestival Afterparties – although Uber surge pricing was ridiculous, taxis were hard to come by, and street cars were uncomfortably full.

The festival kept the three stages from the inaugural year, including the purple elephant decorated Bollywood Stage, the Main Stage, and the white tent style of The Big Top. They also kept the inflatable church that had been set up in the grounds the inaugural year, allowing the lovers of the world to get married on festival grounds. Full ceremonies were held, with the honorary brides and grooms dressed in their Sunday best, an exuberant MC officiating the ceremony, and rice being thrown as the newlyweds walked out of the church, hand-in-hand.

And if you decided to attend the wedding on Sunday afternoon, you might have spotted Thomas Jack, cheering on the lucky couple before heading over to The Big Top to play his 85-minute set of the day.

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