Category: <span>Music Festivals</span>

Canada

Shambhala Travel Guide

Shambhala is tucked away in a picturesque valley on a farm surrounded by the Selkirk Mountain Range, about thirty minutes South from the small town of Nelson, BC. Stages can be discovered walking through the woods or floating down the river with the groovy sounds of the DJs or flashes of laser beams guiding you in the right direction.

Getting There

Shambhala by Air
If you are flying, the closest airport to fly into is the Castlegar Regional Airport (YCG), about half an hour northwest of the festival. Alternatively, the festival is about a four hour drive northwest of Kelowna International Airport (YLW), or a six hour drive southeast from Calgary International Airport (YYC).

 
Shambhala by Road
If you are driving, you will be entering Shambhala by a dirt road off Highway 3. There are a lot of winding, one lane mountain roads along the way so be alert for wild animals and fill up for gas before going into the festival. Salmo is the last town you will come across with gas stations, 6 kms away.

Rideshare is also an option for getting to the festival by road. Check out the Kootenay Rideshare board and the Facebook Shambhala rideshare group for possible lifts.

The Greyhound goes as far as Salmo, BC, which is still 6 kms outside of the festival.

Where to Stay

Shambhala is a camping music festival. There are very few restrictions as to where you are allowed to set up camp for the weekend and the Sunshine, Starlight and Meta Camp are all free areas. I recommend arriving early though as the areas closest to the festival grounds fill up fast.

If you do not need to camp with your car, you will be pointed to a parking spot from where you will haul your camping gear and festival glitter into your desired camp area for the weekend. Otherwise a car-camping decal must be bought. A decal can only be bought on-site and is sold on a first come first serve basis. Sunshine decals for a regular sized vehicle are $40, and $80 for an oversized vehicle. Starlight decals are $80 for a regular sized vehicle and $160 for an oversized vehicle.

Shambhalodging: Shambhalodging is the festival’s premium camping option, offering campsites for two in a wooded shaded area, with a reserved spot at the Shambhalodging parking.

Camp Clean Beats: Camp Clean Beats is the festival’s camping option for those who wish to have a clean and sober festival experience. Anyone entering this area must be sober. Spots go on a first come first serve basis, but the festival asks that you fill out the registration form in advance and email it to campcleanbeats@gmail.com.

Safe Spaces

Shambhala has become known as a festival with an incredibly progressive (and effective) harm reduction program. Different areas provide festival attendees with different services depending on what they need at that time.

The Sanctuary: Located by the medical tent, this is a calm area for attendees who are feeling overwhelmed at any point, for any reason. There are cushions to lie on, little tents to crawl into, tea and cookies available, colouring books and markers, and volunteers to speak with – if that’s what you want.

Photo by Ricardo Hubbs

Women’s Safe Space: This is an area in the festival similar to The Sanctuary, but it is accessible for women only. The volunteers there are all women and it aims to provide a spot for women to go if they are feeling vulnerable or uncomfortable at any point during the festival.

Outreach: Outreach are the volunteers that walk around the grounds, simply keeping an eye out for attendees. They make sure people are okay physically and, also educate attendees they come across for warning signs of a possible bad situation.

Consent is Sexy: While there aren’t really any written rules for Shambhala, there is a general understanding of respect for one another. You will see signs everywhere stating “consent is sexy” and this rule is absolutely followed, even down to asking permission to hug a stranger.

Education: Education seems to be a big part of the key to safety at Shambhala. ANKORS has a booth set up where attendees can go to test their drugs for the weekend. There is absolutely no judgment here and no requirement to hand in whatever it is you are testing. There is only encouragement to know what might be in the drugs, as well as to learn more about the different drugs circulating around and what harms they may have. There is also information about safe sex along with the necessary tools for safe sex (i.e. condoms).

Photo by Charlotte Dobre

NOTE: There has been plenty of debate surrounding a festival’s decision to provide attendees with professional drug testing. Providing attendees with the opportunity to test their drugs over the weekend is not the festival condoning the use of drugs. It is simply encouraging people to be safe and smart about what they decide to do during their time at a music festival.

For more information on ANKORS and safety at Shambhala see my chat with “Shambha-Mom” Britz Robins.

Food

Shambhala has a huge variety of delicious food options, although it can get quite expensive (as it is with most music festivals). From tacos to pad thai, to nachos to donuts, there is a good selection to satisfy your cravings. It is a little challenging finding vegetarian and vegan options, however there is one vendor that has a great non-meat soup and salad combo.

And don’t skip out on the donuts. Fried dough covered in sugar? You can’t go wrong with that for your late-night snack.

Beverages

Shambhala is a dry festival. There is no alcohol for sale at the festival and cars are searched upon entry for alcohol. This does not mean it’s lacking in refreshments. Virgin caesars and virgin margaritas can be purchased (the margaritas are quite tasty) and, Night Owl Coffee has some delicious options available from a local coffee shop in Nelson, BC, along with hot tea available to warm your bellies late at night.

My Advice

Arrive early! Even though there are no stages set up on the Wednesday night of the festival, consider buying the early arrival pass. With less people there, it gives you the opportunity to choose a better location for your camp site which can make the difference between a 10 minute walk and a 30 minute walk for an outfit change.

If this is your first Shambhala, make sure to hop on the Virgin Shambhala Train. A Shambassador wearing a conductors outfit will introduce you to the Shambhala rules, teach you firsthand about the number one family rule of “consent is sexy,” and take you on a fun dance tour through the festival, helping you to orient yourself with the different stages.

But hop off the train before it passes through the Fractal Forest. That is definitely a first-time experience you should save for night.

Be prepared for insane fluctuations in temperature. I cannot stress this enough. There is a reason you will see so many people in onesies, roaming around the grounds at night. Onesies are warm and you can layer them. While it can be hot enough to run around naked during the day, it can also get cold enough to see you’re breath at night.

That being said… Don’t be afraid to cool off in the river during the day! Not only is it a great spot to goof around and listen to music, but it is very refreshing in that hot summer sun.

Take advantage of the ANKORS booth. It’s a unique educational experience that is not readily available at most festivals.

Embrace the weird. You will see a lot of things that you are not used to seeing.

But don’t stare. That’s rude.

Don’t be afraid to dress up! People will spend months preparing their costumes for Shambhala so if you want to dress up you are in good company. But if that’s not your thing and you would rather run around in some very practical fleece, then that is okay too. Acceptance is a big theme at Shambhala.

Speaking of acceptance… Shambhafamily are a very big accepting group. Grant them the same courtesy and accept everyone for the side of themselves they are choosing to show at Shambhala that they cannot necessarily show in their daily lives.

Appreciate this acceptance. Appreciate where you are and who you are with. And learn to love yourself – there is an open-mindedness in this community that will help you with this.

Of course, leaving the beauty of Shambhala and returning back to reality will leave you in shambles. Bring some of your lessons and positive experiences from Shambhala back to the real world and maybe, we can make reality a better place.

Photo by Lindsay Donovan
Canada

Favourite Artists Heard At Shambhala

Shambhala Music Festival returned to Samlo Valley for its 19th year, bringing with it a lineup stacked with heavy bass, mad beats and hella funky sounds. Here are some of my favourite acts that I heard at this year’s Shambhala.

Beats Antique

Beats Antique was everything I hoped for and more. David Satori and Tommy Sidecar exhibited their talents on their instruments, playing drums and violin live for the crowd at Pagoda while their tracks spun on in the background. The pair played some of their older stuff, including “Egyptic” off their 2010 album “Blind Threshold,” and performed songs off their new album for the first time ever. Sidecar threw down an insane drum solo that left the whole crowd smiling before the duo showcased their new track with Russian singer Tatiana, whose ethereal voice was complemented perfectly by Satori’s violin. With incense floating in the air, the experience of listening to Beats Antique’s unique tribal fusion sound was enhanced. The highlight of the set though came when Satori let a unicorn jump on stage to perform some oh so magical dancing while the duo continued to play out their set. Dance moves fitting perfectly with the music, the unicorn made his way across the stage before collapsing into a fit of frenzy for his finale with Beats Antique.

 

Hermitude

It’s been a while since I’ve seen two artists so in sync with one another. Hermitude threw down a gnarly set Friday night at The Grove, somehow mixing “In The Jungle” from Disney’s “The Lion King” into Flume’s remix of their track “HyperParadise,” before Luke Dubs took to his keyboard to perform an insane solo cover of the track. Showcasing their unity, the boys unplugged their instruments, coming around to the front of the stage to perform live for the audience, truly demonstrating their skills as DJs and producers. Luke Dubs and Elgusto worked magic together up on The Grove stage, keeping the crowd dancing and grooving throughout the entirety of their set.

 

Opiuo

Maybe it’s because this was my introduction to the epicness that is the Fractal Forest but Opiuo played one of my favourite sets of the weekend. Throwing down a funky set that incorporated swing with bass, Opiuo took the crowd on a groovy journey throughout his entire 90-minute set. Jet lagged and coming straight from New Zealand, the Kiwi producer didn’t hold anything back, kicking it on the drums live for the crowd and bringing out a trumpet player to accentuate the funky tunes he was playing before mixing into jungle. I didn’t think it was possible to mix funk with drum & bass but Opiuo managed to do it beautifully.

 

CloZee

There’s only one word I can use to describe CloZee: badass. The French producer threw down a dope set that saw heavy bass mixed in with glitch-hop. CloZee truly showed that she is a force to be reckoned with, putting on one of the heaviest sets of the weekend. The female producer kept the bass pulsating across The Grove before mixing into “Wildcats” by Ratatat. A surprise guest appearance by EVeryman saw the pair paying tribute to the late Pumpkin before CloZee continued with her set, mixing in some new world sounds with her bass heavy performance.

 

The Gaff

The Gaff is one of the most talented DJs I have had the pleasure of seeing perform in a very long time. The British-Columbia native played his entire set using only vinyl, switching out LPs expertly to weave a groovy set for the crowd at Fractal Forest. It feels like such a treat nowadays to see someone spinning vinyl and it’s even more special when it is taking place in the magical atmosphere that is the Fractal Forest. While The Gaff was playing an incredible dance worthy set, it wasn’t uncommon to see many people standing still, absolutely mesmerized by what they were seeing The Gaff doing on his decks… Especially once he started scratching. The Gaff demonstrated his insane skills as a musician in the art of spinning a vinyl only set. Simply listening to his tracks does not do the artist justice, as a huge part of the musical experience with The Gaff is the show he puts on scratching and spinning.

 

Nora En Pure

Nora En Pure’s set at Pagoda was such a fantastic way to start the weekend off. Playing Friday evening, the Swiss DJ threw down a fun, dance-worthy deep house set. The female producer expertly took the crowd on a journey from deep house to tech house, channeling some DirtyBird vibes, prepping the crowd for Justin Martin’s set later that evening. Nora En Pure exhibited her ability to spin a set with a variety of genres before mixing into her well-known (and often played by other DJs) single “Come With Me.”

Canada

Five Favourite Moments From Shambhala

I’m still trying to process all the beautiful energy I felt at Shambhala Music Festival, so to help me cope with those post-Shambhala blues, I have put together a list of my five favourite moments from this year’s adventures.

1. Discovering the Fractal Forest

Discovering the Fractal Forest is like discovering a mythical creature. You have no idea what you are getting involved with until you are inside the forest, feeling the music and witnessing the madness firsthand. One of the most important things I was told by Shambhala Veterans was to avoid the Fractal Forest until I could experience it at night. And I am so glad I listened to them as my first time in the forest was mind-blowing. The stage was set up in a way that allowed festival-goers to completely lose themselves in the sights and sounds, while the primarily ghetto-funk sounds being spun there by the likes of A.Skillz, The Funk Hunters, The Gaff and DeFunk encouraged a fun vibe and an energetic atmosphere.

Not only did Fractal Forest have one of the best vibes of the weekend, with one of the most incredible set ups possible, but it was something for festival-goers to discover on their own. Stumbling upon the hidden stage with all its Star Wars beauty and funky sounds on the way to some of the other stages made for some of the best dance parties of the weekend.

2. Swimming in the river


Shambhala has a river that flows through the festival allowing attendees a slight reprieve from the heat of the day. It is a small river that flows straight from one of the glaciers, keeping it cool despite the intense heat in the valley during the August days. It’s common to see people sitting along the banks in the shade of the trees, soaking their feet in the cool river water throughout the day.

The Living Room Stage also happens to be set up on the beach right along the river. Many people bring floaties with them to the Living Room, setting up camp on top of their inflatable toys, floating nonchalantly down the river as the mellow beats of the Living Room DJs serenade them down the river. The BC mountains stand majestically in the background, overlooking the entire scene as people swim across the perfect bed of pebblestones. With the sun beating down on Shambhafam, many people swim across the river, making friends along the way before reaching the opposite bank where more friends are made.

And, while it seems to be more of a well-kept Vet secret, there is another river, beyond the banks, that is more secluded and requires a little bit of Veteran knowledge to get to. Although I did not find this little piece of paradise, I was told it holds a jumping log and is a small oasis within the Shambhala festival grounds.

3. Free Hugs

Shambhala is known for embracing the free-spirit of its festival attendees. Upon arriving into the festival, the first thing I was warned about were the free hugs.

“It’s kind of weird… Are you okay with weird?” the man checking my car said. “Are you okay with hugs? I don’t know what it is about this place but people seem to like to give each other hugs for no reason.”

I thought he was joking.

I can’t tell you how many times I was at shows or walking around the grounds and someone dressed up as a tiger or a panda would come over to give me a hug… Simply because they felt the need to share their love for the world. Dancing solo at Fractal Forest, I received one of the best hugs of my entire life by an individual whom I will never know. He was dressed head to toe in woolies, with a scarf covering his entire face. Mid dancing he turns to me and opens his arms. Upon seeing me nod in consent, he then pulls me in for a hug. We danced together in a beautiful embrace for a solid minute before he continued on his merry way.

Free hugs was such a huge part of the festival. People connecting with one another in a way that does not happen anywhere else, and in the most respectful way possible. It was absolutely beautiful.

4. Beautiful people

The people at Shambhala are fucking weird. And kind. And respectful. And caring. It truly is the people who attend this festival that make it so wonderful. The energy at Shambhala is unlike any other.

People at Shambhala do what they want, when they want, with zero fucks given for what others are thinking about them. There seems to be an unspoken understanding between Shambhafamily that this is a safe place where you can be the most true to yourself. And this is possibly the most beautiful thing about the festival. People are the truest that they could possibly be to themselves. No one cares and no one judges one another for doing what they are comfortable doing.

5. Late night tea

Shambhala is a dry festival meaning there is no alcohol that can be purchased on the grounds. This was the first festival I have ever attended where this was a rule, and, full disclosure, I like to drink so I was very interested to see how this would affect my experience at Shambhala.

I was pleasantly surprised with it though. The festival seemed to be a lot more in control. There were less rowdy people that were being offensive and aggressive. Removing alcohol from the equation made the whole festival experience much more chilled out.

This also meant that, at the end of the night, instead of having a boozy night cap, I wound up at Night Owl coffee in downtown Shambhala for tea. Every night, on my way back to my tent, I would stop in for a peppermint tea. With the temperature fluctuating from sweat in every crevasse of your body during the day to seeing your breath at night, the tea worked wonders to warm the body up and soothe the belly, helping prepare the body for the next day of the festival.

I never thought I would insist on having tea at a festival or after a night of dancing, but after stopping for peppermint tea at the Night Owl every night, I think I am going to make peppermint tea a must-have after a night of dancing.

Bonus

The theme camps: with their insane set ups including a bouncy castle for Shambhafam to play in, and hosting their own parties every single night; the sunrises: they came in hot and early but announced a new adventure for the day

Canada

Finding My WayHome

Melding the best of Coachella and Bonnaroo, WayHome Music and Arts Festival is a refreshing change for music festival lovers. Returning to Burl’s Creek, just north of Toronto for its sophomore year from July 21-24, the festival brought a much needed chill festival vibe to the city’s music lovers.

The three day camping festival began early, on Thursday night, with a performance by Toronto band The Darcys during the ArtWalk, allowing attendees to enter the grounds a day early to visit and admire the art installations that were set up in the grounds for the weekend.

This year’s festival saw a heavily filled lineup of top Canadian talent including Half Moon Run, Arcade Fire, Shad, and Metric. The festival once again encompassed a variety of musical genres, with Major Lazer and Keys N Krates bringing their electronic beats, Rae Sremmurd and Vince Staples covering the hip hop aspect of the lineup, and Third Eye Blind, The Killers and LCD Soundsystem providing the soundtrack for festival goers born in the 90s to sing along with.

Utilizing the grounds to its full capacity, the four stages were thoughtfully set up to avoid any sound bleeding between stages. Once again, the WayAway stage proved to be a hidden gem in the grounds. Tucked away among a grove of trees, the picturesque stage not only provided relief from the heat for fans, but also saw some of the best performances of the weekend including Marian Hill’s unique electro-jazzy sound and The Paper Kites mellow folky tunes.

The heat was extreme this year but the well organized festival ensured attendees could stay hydrated with free water refill stations provided throughout the grounds, along with free Vitamin Water. The cashless RFID wristband system implemented this year allowed attendees to simply swipe their wristbands at vendors and alcohol tents, giving them a means to quickly purchase items.

While some of the art installations were reminiscent of other big American festivals that I’ve attended, including the balloon train from Coachella and the flags from the grounds at Mysteryland, there were many unique pieces for fans to stumble upon and discover throughout the weekend.

The festival’s signature “W” structure welcomed WayHomies into the grounds every day while the “I Feel You” flower arch became the motto of the weekend for many. However I’d still love to see more unique, random art installations. The event is billed as a music and arts festival and the art component could have been stronger.

The vibe of the festival was very laid-back, many people appearing to go with the flow as they explored the grounds and what it had to offer. Hammocks hung from trees, with fans watching shows from the comfort of swinging a few inches off the grounds, and Muskoka chairs were set up by the WayBright stage for attendees to rest their weary feet.

Although there was no silent disco this year (at least none this girl could find), the festival afterparties were rampant in the campgrounds, with newfound friends staying up until all hours of the morning dancing and reminiscing on the days’ events.

The first official full day of the festival saw the talented Gary Clark Jr. rip his guitar anew, shredding apart the WayHome stage, while LCD Soundsystem took to the stage later in the day to bring their unique and classic electro-pop sound under the starry night sky. Matt and Kim closed out the evening with their fun indie pop sound at the WayBold stage, guarded by the two unknown, black and white portraits framing the stage. Toronto favourites Keys N Krates threw down an epic electronic set that kept the crowd dancing and the totems bouncing to close down the WayBright stage.

Saturday saw 90s favourites Third Eye Blind performing some of their classic tunes such as “Semi-Charmed Life” midday at the WayHome stage, while Arcade Fire closed out the stage with an epic fireworks show to their hit “Wake Up.” Of course, one of the highlights from Saturday was Chet Faker’s groovy set that saw the talented Australian producer jumping from keyboard to synth to vocals, to perform some of his classics along with some of his newer sensual songs like “Gold.”

By the final day of the festival, the sun and extreme heat had taken its toll on many people, but BØRNS brought fans back to life with an early and energetic set at WayBold. Famous sisters Haim characteristically bantered with one another during their performance at the WayHome stage, following Stars’ beautifully quirky performance and preceding the final show of the weekend by The Killers. The Killers kept the crowd dancing and singing along throughout the entirety of their performance, shooting confetti into the crowd for one final festival pump up.

Many people that I spoke with had qualms about the lineup lacking in a lot of big name, popular artists this year. But it was nice to see so much Canadian talent at a Canadian based festival. It provided attendees with the opportunity to discover so much new music and some incredible up and coming talent. I will definitely be following a number of the lesser known stellar acts that I was fortunate enough to be introduced to.

Organizers appeared to have worked out many of the kinks from the inaugural year to execute a well-planned and top notch event for their return to Burl’s Creek. Taking ideas from the more successful parts of some of the best festivals in the world guaranteed attendees an awesome experience. Most importantly, the mellow atmosphere provided WayHomies with the opportunity to attend a large scale music and arts festival, easily accessible to the city of Toronto, with a vibe that is unlike any other festival in the area. And because of that, I look forward to heading home again #soon.

Canada

Favourite Artists Heard At WayHome

The return of WayHome to Burl’s Creek for its sophomore year brought with it a lineup filled with Canadian talent, complimenting the Canadian location of the festival, as well as a slew of artists from a variety of genres. Here are my favourite acts that I heard at this year’s WayHome Music and Arts Festival.

Robert DeLong

I had no idea what to expect going into Robert DeLong’s set but was in complete awe of the artist by the end of his performance. The one-man band jumped around from instrument to instrument, looping piano chords and his voice, while using a mixer to create music live for the crowd. He even graced the crowd with an epic drum solo, holding nothing back as sweat flew off his face while he pounded the instrument. Even with an equipment failure midway through the performance, Robert DeLong handled the malfunction expertly, joking about the issues of relying on technology as a musician and conversing with the crowd while bringing the equipment back to life. Robert DeLong managed to display his insane musical talents during his set at WayHome and is definitely someone that should not have been missed.

 

Glass Animals

The British group introduced WayHomies to their super wavy sound as the sun was slowly getting lower in the sky. Rather than playing their hit single Gooey at the beginning of the set though, the boys performed the groovy single midway through, keeping it a much loved hidden surprise for fans. The highlight of the set came during the group’s cover of Love Lockdown by Kanye West when lead singer Dave Bayley sat down at the edge of the stage to serenade the crowd. Momentarily forgetting the words and announcing this to the crowd with a sheepish grin, the band started over without skipping a beat, allowing Bayley to finish his performance of the tune in the crowd. Bayley’s energy was infectious as he danced and sang his way through the rows of fans before making his way back to the stage to close the set with Pools.

 

Stars

Canadian favourites and industry vets did not disappoint with their performance on the final day of the event. Co-lead singer Torquil Campbell wore a poignant “Doing It for Gord” t-shirt, interacting with the crowd throughout the set. The group lead fans through classic Stars tunes and covered newer songs, including a beautiful ballad of “I Took a Pill in Ibiza” by Mike Posner. Co-lead singer Amy Millan, reminded us of why the group has been in the industry since 2000 during the performance of their hit single “Your Ex-Lover is Dead,” her hauntingly stunning voice carrying us on a journey back to 2004.

 

MØ

Danish singer MØ has been killing it this past year and this definitely includes her performance at WayHome. Opening her set with a slowed down version of one of her first hit singles “Don’t Wanna Dance,” the singer threw herself into an energetic performance filled with her signature, quirky dance moves. The artist finished her set with her dance-worthy hit collaboration “Lean On” that had the crowd going wild. Of course a MØ set wouldn’t be complete without the lead singer jumping into the crowd to go crowd surfing atop her fans… Which, she did.

 

The Paper Kites

Being influenced by a couple of Aussies to check out The Paper Kites midday on Sunday might have affected the joy I had in watching the Australian indie folk band, but the group’s vibe fit perfectly at the WayAway Stage. The band’s mellow folky sound was complimented perfectly by the ambience of the stage hidden away in the trees. One of the most unique band interactions I saw this weekend came midway through Paper Kites set, when the lead singer started a mini symphony with the crowd. Providing each third of the crowd with a note to sing, he then lead everyone into a crowd sung symphony, before continuing with the band’s indie folk set.

 

Bombino

If you were able to make it into the grounds during the day Friday and withstand the heat at the WayHome Stage you would have come across Niger born Bombino, rocking out in his traditional white African robes. Having had garnered support from Dan Auerbach of The Black Keys, who also produced Bombino’s second album in 2012, the artist is an incredibly talented guitar player. Demonstrating his prowess as a guitarist, Bombino’s fingers moved fast over his instrument’s strings, creating his unique African influenced rock sound for the crowd present. The artist is an insanely talented guitar player, reminiscent of some of the greats including Jimi Hendrix, and took the crowd on a spiritually magical rock performance.

Canada

Favourite Artists Heard at Digital Dreams

Digital Dreams pulled out all the stops for its 2016 edition, announcing Above & Beyond, Armin Van Buuren, Axwell /\ Ingrosso, Bassnectar, Borgore, Danny Tenaglia, Knife Party, Pendulum, and UMEK as this year’s headliners. The festival ensured that a variety of electronic genres were represented for the fifth anniversary. Here are my favourite acts hear at The Flats this year.

Destructo

It’s no surprise that the founder of Holy Ship! and producer of Hard Events isn’t afraid to throw down a gnarly g-house set. Opening strong with Dare You to Move, Destructo mixed effortlessly between drops, guiding the crowd from one g-step to the next. Of course the crowd was pumped when he dropped Get Higher Baby, before closing out strong with Cut It.

Damian Lazarus

Festival organizers clearly took into consideration Damian Lazarus’ musical talents when scheduling him at the Echo Beach stage with the sun still high in the sky. The producer, who also hosts some of the most unique techno events in the world, including Day Zero taking place at Mayan ruins in Mexico, threw down an epic set that demonstrated his prowess as a DJ. Picking up on the crowd’s vibes at the beach stage, Damian Lazarus expertly created a set that enhanced the atmosphere and energy for the day.

GRiZ

GRiZ sets have become synonymous with being some of the best parties at a festival.. And his set at Digital Dreams was no different. Putting on a show that included his signature saxophone playing and a funky-ass beat, GRiZ kept the crowd moving and dancing throughout the entirety of his set. Taking over the decks from Datsik by playing his saxophone, GRiZ played a set that included some of his classic tunes and some of his hits as Grizmatik. I’m still blown away by the young producer’s ability to mix a set while playing the saxophone so energetically.

Festival Reviews

Discovering an Electric Forest

They say you find yourself at Electric Forest. I don’t know if that’s true for everyone but, it seems that most people that go find something. The forest promises festival goers with the potential to discover and stumble upon some magical things.

It is set up so that you can follow the walkways from stage to clearing to stage, or venture off the beaten path and discover a wide range of art pieces, installations, people and creatures, for completely unique and new experiences.

Photo by Juan Ravagli
Photo by Juan Ravagli

The early arrival pass provides festival goers with the opportunity to enter the campgrounds a day early, setting up camp and getting settled in before the crowds arrive. Although there were no shows this year (other than the Electric Forest radio station playing only music from the performing artists) or scheduled activities (other than exploring the vendor stalls at the marketplace), the extra day proved to be vital to the festival experience as attendees were able to wake up in the campgrounds Thursday, set and ready to go for the four-day weekend.

Walking into the festival grounds, it was difficult to continue past the first stage. The Tripolee stage had a stellar lineup that had beats bopping across the grounds throughout the day with heavy hitters like Bonobo, Adventure Club and Flosstradamus taking over at night – and then it played host to yoga every day at noon.

One of the most beautiful things I saw at Electric Forest wasn’t the forest lit up at night in a multitude of colours, or all the people swinging in hammocks that were set up between the trees, but the precision with which the rows of trees had symmetrically grown.

This natural beauty surrounding the forest allowed festival organizers to set up a magical atmosphere. They used the trees to their full advantage when they developed an immersive experience for attendees.

Cartoonish clouds dangling from above led festival goers to a piano that was set up in a small clearing, allowing them to take turns playing a few notes or a few songs. A silent disco was set up beneath the shade of the towering trees, where the sun peaks playfully through as it sets for the day, with a lone monarch butterfly fluttering from dancer to dancer, carrying with it the magic of the woods. A VW bus was parked in the woods with a garden flowering inside as hippies passed around doobies to share, relishing in the beauty of the surrounding grounds.

This only begins to touch on the beauty of Electric Forest.

While there were multiple stages set up in clearings, it was the few within the forest that were the most glorious for me. These stages took a bit of wandering around to find, but once discovered, they held some of the best sets of the weekend. With Gilligan Moss playing an impossible to leave, acid house set at The Observatory, and many days spent jamming under the trees at the Forest Stage as regal, French Quarter characters slowly infiltrated the grounds, it was difficult to tell reality from imagination.

The fantastical is the norm at Electric Forest. From a zebra walking on stilts following the rest of his zoo friends through the woods, to other stilt-walking performers spreading their legs wide to make an archway for attendees to walk under, every day in the forest held new surprises and new discoveries.

The Hangar, for instance, was one place where festival goers could go for a tasty margarita or delicious IPA before grabbing a seat at a table that was set up in front of the stage. Pin-up girls walked around offering candy to attendees, transporting every one back to the 1920s. And if you had the patience to wait, you could get a free massage from a girl dressed in head-to-toe purple satin, using a car buffer to buff out the knots in your back and legs. Or if you were feeling a little hairy, you could head over to the barber shop in The Hangar for a shave.

The lineup for this year’s forest was stacked, with performances by jam bands and DJs crossing a variety of electronic genres. The String Cheese Incident graced attendees with three lengthy jam sessions, finishing their performances with an epic fireworks show. The Disco Biscuits also took the stage along with a midday performance by Nahko and The Medicine People that treated listeners to beautiful lyrics accentuated by the insanely unique voice of Nahko.

Photo courtesy of Electric Forest
Photo courtesy of Electric Forest

Mija was scheduled three times including her B2B with Anna Lunoe, and somehow incorporated Tame Impala into her opening set for her B2B at Tripolee on Saturday night. DirtyBird legend Justin Martin was welcomed to the Forest Stage for AC Slater’s curated Night Bass event that also saw an epic surprise set by Gorgon City. And if you were lucky enough to be at the right spot at the right time you might have had the opportunity to see fan favourite and festival vet GRiZ leading a parade into the forest with his saxophone before closing out Sherwood Court on Sunday night. He also took part in the surprise set at The Observatory on Saturday night that left the whole crowd singing along to Roses by Outkast.

Other than a few mishaps, including an equipment malfunction that saw the stage right speakers at Neon Indian’s set soundless, all the artists brought their A-game to the forest. The speaker blow out during Neon Indian’s set was quite unfortunate though as the group was performing a cool set that used lived instrumentals, electronic synthesizers and a wicked light show to complement the sounds.

However, the thought process behind providing festival goers with a wonderful musical experience was apparent. The stages in Sherwood Forest were set up very close to one another yet sound bleeding between stages was not noticeable.

I’m amazed I made it to any of the shows though. It was so easy to get lost in the forest, the fantastical installations and performers easily distracting me on my walks between the stages. But that distraction always led to an adventure that became just as much a part of the Electric Forest experience as the music, and added to the beauty of the journey into self-discovery.

Festival Reviews

Favourite Artists Heard At Electric Forest

It is so easy to get lost in the forest with everything it has to offer for attendees to discover. The music from this year’s event though is not something that should be overlooked. Here are my favourite acts that I heard at Electric Forest.

Hayden James

Of course an Aussie producer signed to the Future Classic label is going to throw down a groovy set. Hayden James performed on the Tripolee stage early in the afternoon on the final day of the festival. He played one dance worthy tune after another, including some of his own hits like “Something About You,” before closing out his set with “Praise You” by Fatboy Slim, a classic dance song that got the crowd jumping and dancing around.

Gilligan Moss

Gilligan Moss played a very nifty set for the crowd at The Observatory. With bubbles floating above through the trees and forest creatures dancing amongst the crowd, the acid house sounds of the duo fit perfectly with the atmosphere in the forest. With a huge grin on their faces, the pair appeared to be having a blast as they played original tunes from their Ceremonial EP, before mixing into their trippy remix of “Gooey” by Glass Animals and closing out with an extended version of their hit single “Choreograph.”

Whilk & Misky

It’s hard to describe the sound of Whilk & Misky but it is definitely something unique and beautiful. The two Brits sound better live than they do on their recordings, with Misky’s raspy voice giving a folk layer to the house music being put down in the background by Whilk. Whilk & Misky displayed their unique sound and talents with Whilk keeping the beat moving that carried Misky’s voice, slowing it down for “Love Lost” before picking the energy back up again to perform “Babe I’m Yours.”

Gorgon City

Gorgon City Live showcased the talents of Matt and Kye, with the DJ duo mixing live for the crowd as some of the singers for their various tunes belted out the lyrics for the songs that were being played. The British duo revealed at the end of their live performance that they were scheduled to play the surprise set for that evening at the Forest Stage, which turned out to be one of the most fun shows of the weekend. The Gorgon City DJ set proved to be an awesome dance party that had the singers from earlier in the evening come out to jam with the crowd while Matt and Kye spun some wicked house music.

Kry Wolf

I was fully expecting to see Chris Lorenzo when I hit up the Forest Stage for the end of the Night Bass curated event Saturday night, but the schedule had changed and lo and behold Kry Wolf was closing out the night. Lewis Darvill of the British duo kept a steady beat through the background of the set, overlaying different house music with the underlying bass beat that carried the crowd’s dance moves and kept everyone’s feet moving during the entire late night set. Although I was looking forward to see Chris Lorenzo that evening, I was happy to have discovered a new underground house artist.

Soul Clap

What a treat to see Bamboozle and Lonely C throw down one of their infamous funky sets at the Forest Stage. The talented duo of Soul Clap played groovy tune after groovy tune, expertly keeping the funk flowing over the dancing crowd. Closing out the Forest Stage for the night after a day of curated music, attendees were treated to a full day of fun, dance-worthy sets before the duo took the stage to finish the night with their characteristic funky sound.

Mija

When Mija plays, she gives 110%, throwing down a filthy set every time and keeping the energy levels of the crowd running high as everyone tries to keep up with her. Friday at The Jubilee tent, Mija kept the crowd bouncing and grinding from one genre to the next as she played a set that moved from hip hop to trap to techno to deep house to rock. The energy levels were high that day, the sweat was dripping, and the music was filthy.

DJ Jazzy Jeff

DJ Jazzy Jeff in the house! What a treat to see a 90s legend like Jazz in the flesh in his element. Curating a wicked hip hop set for the forest fam, DJ Jazzy Jeff expertly wove classics with new, leading the crowd on a hip hop journey that kept people singing along.

Festival Reviews

Five Favourite Moments From Electric Forest

I still haven’t fully washed off the mud that has caked on to my feet from Electric Forest, so to ease those muddy feet back into the real world I have put together a list of my five favourite moments from this year’s festivities.

1. Discovering all the forest has to offer

Two of the most beautiful things about Electric Forest were the unique venue in which it regularly takes place, and the ability to get lost on the festival grounds, exploring the activities and decorations that light up the forest itself. The photos of the festival don’t give you a true sense of the experience.

From the light-up clouds deep in the woods that led me from tree to tree, to the golden Hybycozo art pieces that dangled from high above welcoming festival-goers into the forest, the festival had so much to offer – if you were willing to let yourself go and explore. I don’t want to give everything away for future attendees, as discovering the forest is just as much part of the experience.

I will say though that anyone who attends Electric Forest can look forward to stumbling across a soothing garden with miniature Buddhas. Or finding a small temple with heart-shaped archways where festival-goers can write messages to lost loved ones. The forest held so many beautiful creatures, some on stilts, some in shoes, but all in costume and character, who wandered through the forest, interacting with festival-goers and bringing so much joy as they infiltrated the woods.

2. The Colorado Kaleidoscope

The Observatory held so much more for festival-goers than just music. Although this was also a stage that held some of the best nighttime surprise sets, The Observatory was set up in a way where festival-goers could climb up to a second level and watch the performance on the stage below from a comfortable vantage point.

The second floor of this viewing area was built on top of a mini marketplace where vendors were set up selling their products. One of the vendors in this particular marketplace was Leifers Look. Established in Colorado, the kaleidoscope stand had set up a large, wooden kaleidoscope for attendees to peer into and test out their product. Upon peering into the kaleidoscope and having someone turn the wheel for you, you would see all these different geometric shapes and colours melt into one before reshaping themselves.

After discovering the joy of this nifty toy, and admiring the beauty of the visuals, it was just as much fun and just as joyful to watch the expression of those individuals walking by who decided to stop in for a peek to ease their curiosity. The look of pure amazement and joy on everyone’s face as they discovered the beauty of the kaleidoscope was absolutely fantastic.

3. Kettle Corn

Speaking of pure joy… Although I personally did not try the kettle corn, the joy over the discovery of delicious free kettle corn by one of my campmates puts it in my Five Favourite Moments. During a quick journey back to camp to grab essentials for the night, one of the returning camp members became distracted by the smell of the kettle corn as we walked by the Candy Shoppe (and yes, there is a Candy Shoppe in the middle of the forest).

After turning around to find that the aforementioned campmate was no longer with the returning group, and completely baffled as to where he could have gone, he came bouncing out from behind the Candy Shoppe and loped down the hill like a baby T-Rex. “Guuyyyysssss,” he said with popcorn still in his beard and looking as though he could not believe what he had just experienced. “You have to try the kettle corn.”

4. Stumbling across Preservation Hall Jazz Band

Preservation Hall Jazz Band - Danny Clinch Photography
The seven-piece jazz band brought the grooviness to the forest on three different occasions, with sets at varying stages. However, it wasn’t until spending some time wandering around the festival that I was fortunate enough to get drawn in to The Observatory by the funky tunes that the band was playing.

With tuba, saxophones, clarinet, trumpet and trombone, Preservation Hall Jazz Band treated attendees to an awesome dance party that had the intimate crowd swing dancing with one another.

5. Beach Day

Within a half hour drive of the festival location in Michigan, there are some incredible sand dunes. Electric Forest allows campers to leave the festival in their vehicles whenever they please and return to their initial camp spot.

After a few days of dancing in the hot sun and frolicking through the dusty woods, a morning group excursion to the nearby beach for a swim was gold. After our 30 minute drive and a steep and challenging climb up to the top of the dunes, it was easy to feel as though we had been transported to another planet. Or at least another part of the world. As far as I could see, smooth sand was rolling up and down, meeting the big blue sky. After a short walk across the dunes, we came across a steep, sandy hill that led down to the beach and opened up onto the cool, lake water below.

Bonus

The magical monarch that flitted from person to person in the silent disco, carrying with it the beauty of the festival on its delicate wings.

Canada

Shambhala

Founded in 1998 as a way to celebrate local art and music, Shambhala has since become known as a home for festival-goers to embrace the Shambhalove with fellow family members. Tucked away in a picturesque valley on a farm surrounded by the Selkirk Mountain Range, Shambhala boasts some of the world’s best underground electronic music talent. Welcoming new family members to its yearly mystical gathering, Shambhala creates a uniquely memorable energy under the big starry sky, celebrating music, art and life.

the basics

Location: Salmo River Ranch – Salmo River Valley, Canada
Dates: August 11-14 2017
19+ event

pricing

Extra Early Bird festival pass: $315
Early Bird festival pass: $365
GA festival pass: $395
All passes include tent camping

Shambhalodging campsite only package: $525
Shambhalodging BASSics package: $600
Shambhalodging fancy pants package
Shambhalodging Central Park RV camping packages: $2350

more info

www.shambhalamusicfestival.com