Author: <span>Courtney Smith</span>

Canada

Favourite Artists Heard At WayHome

The return of WayHome to Burl’s Creek for its sophomore year brought with it a lineup filled with Canadian talent, complimenting the Canadian location of the festival, as well as a slew of artists from a variety of genres. Here are my favourite acts that I heard at this year’s WayHome Music and Arts Festival.

Robert DeLong

I had no idea what to expect going into Robert DeLong’s set but was in complete awe of the artist by the end of his performance. The one-man band jumped around from instrument to instrument, looping piano chords and his voice, while using a mixer to create music live for the crowd. He even graced the crowd with an epic drum solo, holding nothing back as sweat flew off his face while he pounded the instrument. Even with an equipment failure midway through the performance, Robert DeLong handled the malfunction expertly, joking about the issues of relying on technology as a musician and conversing with the crowd while bringing the equipment back to life. Robert DeLong managed to display his insane musical talents during his set at WayHome and is definitely someone that should not have been missed.

 

Glass Animals

The British group introduced WayHomies to their super wavy sound as the sun was slowly getting lower in the sky. Rather than playing their hit single Gooey at the beginning of the set though, the boys performed the groovy single midway through, keeping it a much loved hidden surprise for fans. The highlight of the set came during the group’s cover of Love Lockdown by Kanye West when lead singer Dave Bayley sat down at the edge of the stage to serenade the crowd. Momentarily forgetting the words and announcing this to the crowd with a sheepish grin, the band started over without skipping a beat, allowing Bayley to finish his performance of the tune in the crowd. Bayley’s energy was infectious as he danced and sang his way through the rows of fans before making his way back to the stage to close the set with Pools.

 

Stars

Canadian favourites and industry vets did not disappoint with their performance on the final day of the event. Co-lead singer Torquil Campbell wore a poignant “Doing It for Gord” t-shirt, interacting with the crowd throughout the set. The group lead fans through classic Stars tunes and covered newer songs, including a beautiful ballad of “I Took a Pill in Ibiza” by Mike Posner. Co-lead singer Amy Millan, reminded us of why the group has been in the industry since 2000 during the performance of their hit single “Your Ex-Lover is Dead,” her hauntingly stunning voice carrying us on a journey back to 2004.

 

Danish singer MØ has been killing it this past year and this definitely includes her performance at WayHome. Opening her set with a slowed down version of one of her first hit singles “Don’t Wanna Dance,” the singer threw herself into an energetic performance filled with her signature, quirky dance moves. The artist finished her set with her dance-worthy hit collaboration “Lean On” that had the crowd going wild. Of course a MØ set wouldn’t be complete without the lead singer jumping into the crowd to go crowd surfing atop her fans… Which, she did.

 

The Paper Kites

Being influenced by a couple of Aussies to check out The Paper Kites midday on Sunday might have affected the joy I had in watching the Australian indie folk band, but the group’s vibe fit perfectly at the WayAway Stage. The band’s mellow folky sound was complimented perfectly by the ambience of the stage hidden away in the trees. One of the most unique band interactions I saw this weekend came midway through Paper Kites set, when the lead singer started a mini symphony with the crowd. Providing each third of the crowd with a note to sing, he then lead everyone into a crowd sung symphony, before continuing with the band’s indie folk set.

 

Bombino

If you were able to make it into the grounds during the day Friday and withstand the heat at the WayHome Stage you would have come across Niger born Bombino, rocking out in his traditional white African robes. Having had garnered support from Dan Auerbach of The Black Keys, who also produced Bombino’s second album in 2012, the artist is an incredibly talented guitar player. Demonstrating his prowess as a guitarist, Bombino’s fingers moved fast over his instrument’s strings, creating his unique African influenced rock sound for the crowd present. The artist is an insanely talented guitar player, reminiscent of some of the greats including Jimi Hendrix, and took the crowd on a spiritually magical rock performance.

Canada

Favourite Artists Heard at Digital Dreams

Digital Dreams pulled out all the stops for its 2016 edition, announcing Above & Beyond, Armin Van Buuren, Axwell /\ Ingrosso, Bassnectar, Borgore, Danny Tenaglia, Knife Party, Pendulum, and UMEK as this year’s headliners. The festival ensured that a variety of electronic genres were represented for the fifth anniversary. Here are my favourite acts hear at The Flats this year.

Destructo

It’s no surprise that the founder of Holy Ship! and producer of Hard Events isn’t afraid to throw down a gnarly g-house set. Opening strong with Dare You to Move, Destructo mixed effortlessly between drops, guiding the crowd from one g-step to the next. Of course the crowd was pumped when he dropped Get Higher Baby, before closing out strong with Cut It.

Damian Lazarus

Festival organizers clearly took into consideration Damian Lazarus’ musical talents when scheduling him at the Echo Beach stage with the sun still high in the sky. The producer, who also hosts some of the most unique techno events in the world, including Day Zero taking place at Mayan ruins in Mexico, threw down an epic set that demonstrated his prowess as a DJ. Picking up on the crowd’s vibes at the beach stage, Damian Lazarus expertly created a set that enhanced the atmosphere and energy for the day.

GRiZ

GRiZ sets have become synonymous with being some of the best parties at a festival.. And his set at Digital Dreams was no different. Putting on a show that included his signature saxophone playing and a funky-ass beat, GRiZ kept the crowd moving and dancing throughout the entirety of his set. Taking over the decks from Datsik by playing his saxophone, GRiZ played a set that included some of his classic tunes and some of his hits as Grizmatik. I’m still blown away by the young producer’s ability to mix a set while playing the saxophone so energetically.

Festival Reviews

Discovering an Electric Forest

They say you find yourself at Electric Forest. I don’t know if that’s true for everyone but, it seems that most people that go find something. The forest promises festival goers with the potential to discover and stumble upon some magical things.

It is set up so that you can follow the walkways from stage to clearing to stage, or venture off the beaten path and discover a wide range of art pieces, installations, people and creatures, for completely unique and new experiences.

Photo by Juan Ravagli
Photo by Juan Ravagli

The early arrival pass provides festival goers with the opportunity to enter the campgrounds a day early, setting up camp and getting settled in before the crowds arrive. Although there were no shows this year (other than the Electric Forest radio station playing only music from the performing artists) or scheduled activities (other than exploring the vendor stalls at the marketplace), the extra day proved to be vital to the festival experience as attendees were able to wake up in the campgrounds Thursday, set and ready to go for the four-day weekend.

Walking into the festival grounds, it was difficult to continue past the first stage. The Tripolee stage had a stellar lineup that had beats bopping across the grounds throughout the day with heavy hitters like Bonobo, Adventure Club and Flosstradamus taking over at night – and then it played host to yoga every day at noon.

One of the most beautiful things I saw at Electric Forest wasn’t the forest lit up at night in a multitude of colours, or all the people swinging in hammocks that were set up between the trees, but the precision with which the rows of trees had symmetrically grown.

This natural beauty surrounding the forest allowed festival organizers to set up a magical atmosphere. They used the trees to their full advantage when they developed an immersive experience for attendees.

Cartoonish clouds dangling from above led festival goers to a piano that was set up in a small clearing, allowing them to take turns playing a few notes or a few songs. A silent disco was set up beneath the shade of the towering trees, where the sun peaks playfully through as it sets for the day, with a lone monarch butterfly fluttering from dancer to dancer, carrying with it the magic of the woods. A VW bus was parked in the woods with a garden flowering inside as hippies passed around doobies to share, relishing in the beauty of the surrounding grounds.

This only begins to touch on the beauty of Electric Forest.

While there were multiple stages set up in clearings, it was the few within the forest that were the most glorious for me. These stages took a bit of wandering around to find, but once discovered, they held some of the best sets of the weekend. With Gilligan Moss playing an impossible to leave, acid house set at The Observatory, and many days spent jamming under the trees at the Forest Stage as regal, French Quarter characters slowly infiltrated the grounds, it was difficult to tell reality from imagination.

The fantastical is the norm at Electric Forest. From a zebra walking on stilts following the rest of his zoo friends through the woods, to other stilt-walking performers spreading their legs wide to make an archway for attendees to walk under, every day in the forest held new surprises and new discoveries.

The Hangar, for instance, was one place where festival goers could go for a tasty margarita or delicious IPA before grabbing a seat at a table that was set up in front of the stage. Pin-up girls walked around offering candy to attendees, transporting every one back to the 1920s. And if you had the patience to wait, you could get a free massage from a girl dressed in head-to-toe purple satin, using a car buffer to buff out the knots in your back and legs. Or if you were feeling a little hairy, you could head over to the barber shop in The Hangar for a shave.

The lineup for this year’s forest was stacked, with performances by jam bands and DJs crossing a variety of electronic genres. The String Cheese Incident graced attendees with three lengthy jam sessions, finishing their performances with an epic fireworks show. The Disco Biscuits also took the stage along with a midday performance by Nahko and The Medicine People that treated listeners to beautiful lyrics accentuated by the insanely unique voice of Nahko.

Photo courtesy of Electric Forest
Photo courtesy of Electric Forest

Mija was scheduled three times including her B2B with Anna Lunoe, and somehow incorporated Tame Impala into her opening set for her B2B at Tripolee on Saturday night. DirtyBird legend Justin Martin was welcomed to the Forest Stage for AC Slater’s curated Night Bass event that also saw an epic surprise set by Gorgon City. And if you were lucky enough to be at the right spot at the right time you might have had the opportunity to see fan favourite and festival vet GRiZ leading a parade into the forest with his saxophone before closing out Sherwood Court on Sunday night. He also took part in the surprise set at The Observatory on Saturday night that left the whole crowd singing along to Roses by Outkast.

Other than a few mishaps, including an equipment malfunction that saw the stage right speakers at Neon Indian’s set soundless, all the artists brought their A-game to the forest. The speaker blow out during Neon Indian’s set was quite unfortunate though as the group was performing a cool set that used lived instrumentals, electronic synthesizers and a wicked light show to complement the sounds.

However, the thought process behind providing festival goers with a wonderful musical experience was apparent. The stages in Sherwood Forest were set up very close to one another yet sound bleeding between stages was not noticeable.

I’m amazed I made it to any of the shows though. It was so easy to get lost in the forest, the fantastical installations and performers easily distracting me on my walks between the stages. But that distraction always led to an adventure that became just as much a part of the Electric Forest experience as the music, and added to the beauty of the journey into self-discovery.

Festival Reviews

Favourite Artists Heard At Electric Forest

It is so easy to get lost in the forest with everything it has to offer for attendees to discover. The music from this year’s event though is not something that should be overlooked. Here are my favourite acts that I heard at Electric Forest.

Hayden James

Of course an Aussie producer signed to the Future Classic label is going to throw down a groovy set. Hayden James performed on the Tripolee stage early in the afternoon on the final day of the festival. He played one dance worthy tune after another, including some of his own hits like “Something About You,” before closing out his set with “Praise You” by Fatboy Slim, a classic dance song that got the crowd jumping and dancing around.

Gilligan Moss

Gilligan Moss played a very nifty set for the crowd at The Observatory. With bubbles floating above through the trees and forest creatures dancing amongst the crowd, the acid house sounds of the duo fit perfectly with the atmosphere in the forest. With a huge grin on their faces, the pair appeared to be having a blast as they played original tunes from their Ceremonial EP, before mixing into their trippy remix of “Gooey” by Glass Animals and closing out with an extended version of their hit single “Choreograph.”

Whilk & Misky

It’s hard to describe the sound of Whilk & Misky but it is definitely something unique and beautiful. The two Brits sound better live than they do on their recordings, with Misky’s raspy voice giving a folk layer to the house music being put down in the background by Whilk. Whilk & Misky displayed their unique sound and talents with Whilk keeping the beat moving that carried Misky’s voice, slowing it down for “Love Lost” before picking the energy back up again to perform “Babe I’m Yours.”

Gorgon City

Gorgon City Live showcased the talents of Matt and Kye, with the DJ duo mixing live for the crowd as some of the singers for their various tunes belted out the lyrics for the songs that were being played. The British duo revealed at the end of their live performance that they were scheduled to play the surprise set for that evening at the Forest Stage, which turned out to be one of the most fun shows of the weekend. The Gorgon City DJ set proved to be an awesome dance party that had the singers from earlier in the evening come out to jam with the crowd while Matt and Kye spun some wicked house music.

Kry Wolf

I was fully expecting to see Chris Lorenzo when I hit up the Forest Stage for the end of the Night Bass curated event Saturday night, but the schedule had changed and lo and behold Kry Wolf was closing out the night. Lewis Darvill of the British duo kept a steady beat through the background of the set, overlaying different house music with the underlying bass beat that carried the crowd’s dance moves and kept everyone’s feet moving during the entire late night set. Although I was looking forward to see Chris Lorenzo that evening, I was happy to have discovered a new underground house artist.

Soul Clap

What a treat to see Bamboozle and Lonely C throw down one of their infamous funky sets at the Forest Stage. The talented duo of Soul Clap played groovy tune after groovy tune, expertly keeping the funk flowing over the dancing crowd. Closing out the Forest Stage for the night after a day of curated music, attendees were treated to a full day of fun, dance-worthy sets before the duo took the stage to finish the night with their characteristic funky sound.

Mija

When Mija plays, she gives 110%, throwing down a filthy set every time and keeping the energy levels of the crowd running high as everyone tries to keep up with her. Friday at The Jubilee tent, Mija kept the crowd bouncing and grinding from one genre to the next as she played a set that moved from hip hop to trap to techno to deep house to rock. The energy levels were high that day, the sweat was dripping, and the music was filthy.

DJ Jazzy Jeff

DJ Jazzy Jeff in the house! What a treat to see a 90s legend like Jazz in the flesh in his element. Curating a wicked hip hop set for the forest fam, DJ Jazzy Jeff expertly wove classics with new, leading the crowd on a hip hop journey that kept people singing along.

Festival Reviews

Five Favourite Moments From Electric Forest

I still haven’t fully washed off the mud that has caked on to my feet from Electric Forest, so to ease those muddy feet back into the real world I have put together a list of my five favourite moments from this year’s festivities.

1. Discovering all the forest has to offer

Two of the most beautiful things about Electric Forest were the unique venue in which it regularly takes place, and the ability to get lost on the festival grounds, exploring the activities and decorations that light up the forest itself. The photos of the festival don’t give you a true sense of the experience.

From the light-up clouds deep in the woods that led me from tree to tree, to the golden Hybycozo art pieces that dangled from high above welcoming festival-goers into the forest, the festival had so much to offer – if you were willing to let yourself go and explore. I don’t want to give everything away for future attendees, as discovering the forest is just as much part of the experience.

I will say though that anyone who attends Electric Forest can look forward to stumbling across a soothing garden with miniature Buddhas. Or finding a small temple with heart-shaped archways where festival-goers can write messages to lost loved ones. The forest held so many beautiful creatures, some on stilts, some in shoes, but all in costume and character, who wandered through the forest, interacting with festival-goers and bringing so much joy as they infiltrated the woods.

2. The Colorado Kaleidoscope

The Observatory held so much more for festival-goers than just music. Although this was also a stage that held some of the best nighttime surprise sets, The Observatory was set up in a way where festival-goers could climb up to a second level and watch the performance on the stage below from a comfortable vantage point.

The second floor of this viewing area was built on top of a mini marketplace where vendors were set up selling their products. One of the vendors in this particular marketplace was Leifers Look. Established in Colorado, the kaleidoscope stand had set up a large, wooden kaleidoscope for attendees to peer into and test out their product. Upon peering into the kaleidoscope and having someone turn the wheel for you, you would see all these different geometric shapes and colours melt into one before reshaping themselves.

After discovering the joy of this nifty toy, and admiring the beauty of the visuals, it was just as much fun and just as joyful to watch the expression of those individuals walking by who decided to stop in for a peek to ease their curiosity. The look of pure amazement and joy on everyone’s face as they discovered the beauty of the kaleidoscope was absolutely fantastic.

3. Kettle Corn

Speaking of pure joy… Although I personally did not try the kettle corn, the joy over the discovery of delicious free kettle corn by one of my campmates puts it in my Five Favourite Moments. During a quick journey back to camp to grab essentials for the night, one of the returning camp members became distracted by the smell of the kettle corn as we walked by the Candy Shoppe (and yes, there is a Candy Shoppe in the middle of the forest).

After turning around to find that the aforementioned campmate was no longer with the returning group, and completely baffled as to where he could have gone, he came bouncing out from behind the Candy Shoppe and loped down the hill like a baby T-Rex. “Guuyyyysssss,” he said with popcorn still in his beard and looking as though he could not believe what he had just experienced. “You have to try the kettle corn.”

4. Stumbling across Preservation Hall Jazz Band

Preservation Hall Jazz Band - Danny Clinch Photography
The seven-piece jazz band brought the grooviness to the forest on three different occasions, with sets at varying stages. However, it wasn’t until spending some time wandering around the festival that I was fortunate enough to get drawn in to The Observatory by the funky tunes that the band was playing.

With tuba, saxophones, clarinet, trumpet and trombone, Preservation Hall Jazz Band treated attendees to an awesome dance party that had the intimate crowd swing dancing with one another.

5. Beach Day

Within a half hour drive of the festival location in Michigan, there are some incredible sand dunes. Electric Forest allows campers to leave the festival in their vehicles whenever they please and return to their initial camp spot.

After a few days of dancing in the hot sun and frolicking through the dusty woods, a morning group excursion to the nearby beach for a swim was gold. After our 30 minute drive and a steep and challenging climb up to the top of the dunes, it was easy to feel as though we had been transported to another planet. Or at least another part of the world. As far as I could see, smooth sand was rolling up and down, meeting the big blue sky. After a short walk across the dunes, we came across a steep, sandy hill that led down to the beach and opened up onto the cool, lake water below.

Bonus

The magical monarch that flitted from person to person in the silent disco, carrying with it the beauty of the festival on its delicate wings.

Canada

Shambhala

Founded in 1998 as a way to celebrate local art and music, Shambhala has since become known as a home for festival-goers to embrace the Shambhalove with fellow family members. Tucked away in a picturesque valley on a farm surrounded by the Selkirk Mountain Range, Shambhala boasts some of the world’s best underground electronic music talent. Welcoming new family members to its yearly mystical gathering, Shambhala creates a uniquely memorable energy under the big starry sky, celebrating music, art and life.

the basics

Location: Salmo River Ranch – Salmo River Valley, Canada
Dates: August 11-14 2017
19+ event

pricing

Extra Early Bird festival pass: $315
Early Bird festival pass: $365
GA festival pass: $395
All passes include tent camping

Shambhalodging campsite only package: $525
Shambhalodging BASSics package: $600
Shambhalodging fancy pants package
Shambhalodging Central Park RV camping packages: $2350

more info

www.shambhalamusicfestival.com

Canada

Bestival Masters Its Second Year In Toronto

Bestival Toronto was unlike any other Toronto-based music festival – in the best way possible. With fully immersive environments, a musical lineup that embraced house and rock music, and a new, easily accessible location, Bestival was a well planned music festival that catered beautifully to the young, hip crowd of Toronto.

Smith-Bestival-Union-JackThe festival itself did not feel like the standard, North American festival, somehow embracing a more laid-back energy. Maybe its because Bestival started in the U.K., dreamt up by Rob da Bank of England’s Sunday Best Recordings. Or because quite a few of the performers including Jamie XX and The Cure are British. Or maybe it was because of the trio of Brits giving out “free shrugs,” with one of the three being dressed head-to-toe in the Union Jack. Nevertheless, you couldn’t help but feel as though you had been transported out of the 6ix for the weekend to a magical festival on the Isle of Wight.

The festival’s unique concept, with a “Summer of Love” theme, dress-up parades, art scattered around the grounds, and activities to take attendees “beyond the music,” provided Toronto with a weekend event that should become a summer staple for all Torontonians.

The eclectic musical lineup for the two-day event saw Tame Impala headlining alongside The Cure. There were also performances by heavy house hitters Jamie XX and Porter Robinson, and a set by festival co-founder Rob da Bank.

Jamie XX performed on the Main Stage early Saturday evening, providing a bopping set for fans until his music came unplugged. After a few confusing minutes for fans and the performer himself, Jamie XX was plugged back in, finishing his set with the interrupted “Gosh.” While the fans all seemed super excited to have him finish his set, the momentary pause and confusion was a bit of a downer and Jamie XX definitely didn’t have the opportunity to showcase his range of talents in only one hour.
Smith---Bestival---Tame-Impala
ODESZA followed Jamie XX’s performance in the pre-closing slot, taking to the Main Stage Saturday as the sun was setting over the festival grounds. The duo put on an incredible performance that saw the use of live vocals, drums and a mixer that allowed them to perform live renditions of original tunes and covers, including a phenomenal, chilled out cover of Faded by ZHU. ODESZA was followed by Saturday’s headliner Tame Impala, who put on a stellar show, filled with trippy visuals that perfectly complimented the psychedelic nature of their music.

On day two, the event saw the soft, melodic voice of Daughter serenading the late afternoon crowd over at the Main Stage while Thomas Jack took to The Big Top in the evening. Thomas Jack’s music provided festival-goers with a dance infused set that saw him mixing expertly between genres, hair bouncing around as he jammed out with the crowd, huge smile on his face. Lee Foss was given a two-hour sunset slot at the Bollywood Stage that had the crowd dancing through the entirety of his set, before Dubfire closed down the stage with a fiery performance.

It was unfortunate that the festival organizers had to deal with the local city noise bylaws because this meant that the music and festivities on the grounds had to stop at 11 p.m. The Bollywood Stage, while still bopping during the day, had the potential for an epic show at night, taking advantage of the darker environment to show off special effects and lighting. However, with the sun setting around 9 p.m., festival-goers were only given a two hour nighttime show there. As well, many of the artists, although still mixing awesome dance sets for attendees to jam to during the day, could have put on epic performances once the sun had set and the stage had come to life.

A big change this year though was its new location. Last year’s event at Centre Island had a few logistical problems. The only way to get there was by boat, whether the public ferry or by hiring a private water taxi. While not so much an issue getting to the festival, this resulted in attendees having to wait an excessively long time to leave the festival by catching the very limited ferry service back to the mainland at the end of the night. This year’s event at Woodbine Park meant more transportation to and from the festival was available for attendees making for a much quicker journey home, or to the official Bestival Afterparties – although Uber surge pricing was ridiculous, taxis were hard to come by, and street cars were uncomfortably full.

The festival kept the three stages from the inaugural year, including the purple elephant decorated Bollywood Stage, the Main Stage, and the white tent style of The Big Top. They also kept the inflatable church that had been set up in the grounds the inaugural year, allowing the lovers of the world to get married on festival grounds. Full ceremonies were held, with the honorary brides and grooms dressed in their Sunday best, an exuberant MC officiating the ceremony, and rice being thrown as the newlyweds walked out of the church, hand-in-hand.

And if you decided to attend the wedding on Sunday afternoon, you might have spotted Thomas Jack, cheering on the lucky couple before heading over to The Big Top to play his 85-minute set of the day.

Canada

Taking a Field Trip to Fort York

The aptly titled, Field Trip Music and Arts Festival, is a family friendly affair with a laid-back atmosphere. Reminiscent of going on a school field trip to visit Fort York, the festival provided attendees with the opportunity to explore the historic grounds of the old Toronto fort while enjoying a variety of local and international music at the two stages set up on the grounds.

Activities for the whole family were readily accessible with a bouncy castle for the young-uns to jump around in, impromptu ping-pong tournaments occuring throughout the days, bean bag tossing competitions between friends, and watermelon eating contests at The Mess Hall. Little kids could be seen running around the historic fort with green balloons tied to their hands as music floated over the old barracks.

The family-friendly event created a uniquely safe feeling for a festival. Many people could be seen enjoying the music on lawn chairs and blankets, while Moms and Dads were walking around the grounds, bottle-feeding their babies with sound cancelling head phones caressing the delicate little ears of the babes.

The second day of the festival got off to a wet start with inclement weather encouraging festival organizers to suspend the music and evacuate the grounds until early evening. Once the grounds opened again and the music started back up, the sun could be seen setting over the infamous Toronto skyline as the trees in the barracks lit up with pinks and purples, illuminating the leaves that danced magically in the breeze. Patio lights could be seen twinkling above the various food trucks that provided Torontonians with a taste of some of the local cuisine.

From Portobello Burger‘s vegetarian, vegan, gluten free options, to Caplansky’s Deli with a menu filled with BBQ brisket, the vast array of food trucks provided festival-goers with plenty of gourmet options. Curbside Deliciousness offered butter chicken nachos to attendees and The Flying Chestnut Kitchen‘s bright blue and yellow FCK sign beckoned attendees to come try their different tacos. JP‘s truck offered a slew of BBQ options straight from their smoker and The Pop Stand provided gourmet popsicle choices to attendees including cherry bourbon sour, blueberry lime mint and basil lime.

Festival-goers were also given the opportunity to explore the historic Toronto landmark with The Laugh Barracks and the Analogue Gallery Sound Image Exhibition being set up in the barracks buildings, while The Marketplace provided attendees with the opportunity to buy trinkets by local vendors.

The two stages in the grounds saw The National closing the festival on the Saturday night of the event, and Robyn re-scheduled to shut down the night on Sunday with her energetic performance at 9:25 p.m. The pop star danced her way around the Garrison Stage in a sparkly, silver sequinned costume, shaking her hips as she belted out original tunes, new music, and remixes of some of her most-loved tracks by some of her favourite dance artists from across the globe.

While Sunday’s inclement weather unfortunately led to the cancellation of “Nashville” famed sisters Lennon and Maisy’s set, Canadian Basia Bulat was still able to take the TD Stage to perform as the fluffy, dark blue clouds rolled off into the distance, showcasing her soulfully pleasing raspy voice. The two-day event also saw performances by Santigold, July Talk, Ra Ra Riot, and Dear Rouge.

Field Trip is a definite must-attend Toronto summer event, providing activities and music for all ages of festival-goers. Being true to its name, the festival uses the “field trip” theme to its advantage, providing attendees with the opportunity to not only watch some of their favourite musicians perform, but to also explore a part of Toronto’s history in the shadow of the CN Tower.

Festival Reviews

Favourite Artists Heard at Lightning in a Bottle

Lightning in a Bottle provided an experience for attendees that was about more than music. However, the musical lineup was one that can not be overlooked. An array of talented musicians played at this year’s LIB, and headliners of the event included Chet Faker, Grimes, Big Gigantic, Cashmere Cat, Jamie XX, Four Tet and Tokimonsta. The festival saw an eclectic mix of electronic music, from dubstep to techno to deep house to tribal house. There was a little bit of something for everyone.

Here are my favourite LIB acts, listed in chronological order.

Mija

Mija, Mija, Mi hija… Maybe it’s because I have been wanting to see this lady perform since I first heard her B2B sunrise set with Skrillex at Bonnaroo in 2014, but Mija did not disappoint with her set at LIB. She threw down an incredible performance, slaying her 80-minutes on the Thunder Stage and proving to us all her prowess as a DJ. She kept the crowd jumping and dancing the whole time, giving the chills to everyone who was there dropping their dirtiest dubstep dance moves. The highlight of her set came at the end though, when she crawled out into the crowd to share a cigarette with her fans. Thank you Mija, for being so good at what you do, and for sharing that moment with us all.

William Close and the Earth Harp Collective

William Close and the Earth Harp Collective was one of the most unique musical experiences of the weekend. This was my first experience with the Earth Harp which was set up stage left, midway to the back, with the shimmery strings of the harp extending to the top of the front of the stage. The best way to experience the show was to set up under the California stars, grab a seat on the ground and cross your legs to feel the reverberations of the harp through the earth. William Close used his Earth Harp to do a powerful cover of Mozart’s Summer Overture, one that literally gave me goosebumps, before closing out his set with a guest appearance by David Satori of Beats Antique.

Autograf

Autograf appeared to be teasing the crowd with a slow, sensual start to their set… Until they announced that the slow start was really just their soundcheck and it was time to get down! The trio revealed their individual talents through a 90-minute set to a crowd who refused to stop dancing despite the sun’s beating rays. Set up on stage with drums, a keyboard and a mixer to perform live covers of classic dubstep hits, classic house hits, and their own hits, their energetic set was happy and eclectic, and they definitely left their autograph on LIB.

Jamie XX

Oh my God… Did Jamie XX ever kill it! Opening with the song Crystallized by his musical group The XX (can you grace us with a new album yet? Please?) before mixing into one of the most melodic sets of the weekend, Jamie XX took us on a house journey unlike any other. Nothing but a shadow on the stage amidst a constant, mysterious cloud of smoke and lights, the talented producer did not look up once from his set, and barely even noticed when a naked man tried to charge his stage. He just continued to do his thing, keeping the crowd moving and grooving until 2:00 a.m.

HÄANA

If you don’t know who HÄANA is, you need to discover her. She was one of the most talented individuals I came across all weekend. Dressed in a black and gold dress, with a gold cage headpiece, HÄANA sings live, mixes live, and plays the violin live. Her nordic inspired tunes, combined with her ethereal voice and the twang of her violin create a uniquely magical sound. The beauty of her music is something that should not be overlooked and is something that everyone needs to experience at least once.

Lee Burridge Mixing Into Four Tet

Lee Burridge and Four Tet are musical geniuses, each in their own rights, so it was with complete joy that I saw on the schedule Lee Burridge playing the three-hour sunset slot at The Woogie Stage as a precursor to Four Tet’s set there. The legends did not play B2B, or with one another, but Lee Burridge transitioned his three-hour techno set perfectly as the sun went down (amidst cheers) and The Woogie came to light, into an introduction for Four Tet. Lee Burridge’s dynamic three-hour mix kept us dancing and shuffling the night away until, unknowingly, we were listening to Four Tet who took us on a two-hour journey through his unique, artistic beats. Sunday was a phenomenal day of techno at the Woogie Stage, with some of the best sets of the weekend.

Chet Faker

Chet Faker’s energy throughout his closing set at the Lightning Stage was infectious. He could be seen running around the stage, with his black coat flying behind him like a cape. At one point he was belting out his tunes from half way up the scaffolding. The talented musician took a completely different route from his DJ set at the Temple Stage, playing with a four-piece band to play songs old and new. He effortlessly weaved old songs like Drop the Game into new songs like The Trouble With Us, into some of his classics like Gold and his cover of No Diggity. To finish the night, Chet Faker left us with one of the most mind-blowing, stunning visuals of the weekend when he climbed up onto a slightly raised platform to play the piano with a white backdrop, creating a dynamic silhouette of a man and his piano.

Festival Reviews

The Lightning in a Bottle Community Experience

High fives when crossing bridges, spirit animal yells resonating across the grounds, stumbling upon karaoke hidden away in a ravine. These are some of the incredible memories I have from Lightning in a Bottle. But the most unique memory I have from the festival is the community that was built over the weekend, allowing for attendees to have a spiritually awakening experience.

I went into the festival with an open mind and an open heart, having educated myself on the festival beforehand and being aware that it is a festival known for the experience it provides. This allowed me to explore the various music, non-music and self-discovery components that make up Lightning in a Bottle. Every day there were new discoveries, new adventures, and new parts of the festival to explore.

Yoga sessions took place multiple times each day at the two yoga stages Yoga Om and Yoga Namaste. They did wonders to stretch out those tightened up festival muscles. I had the pleasure of attending a yoga session with Kishan Shah under the Earth Harp. Set up at the Lightning Stage, William Close played his mystical Earth Harp as Kishan Shah led a class under the big, blue afternoon sky. The reverberations of the Earth Harp gave me the strength and concentration to move and flow while fully embracing the heat of the day and the brightness of the sun.

Photo by Zipporah Lomax

Lightning in a Bottle provided festival goers with the opportunity to attend workshops and listen to speakers in The Village. Topics varied from exploring the history and effects of music on the world, and learning about ecological sustainability and environmentally conscious nutrition, to learning about the benefits and effects of essential oils on our bodies and minds.

Photo by Courtney Smith

The festival had a Sacred Fire in the middle of The Village that remained lit throughout the weekend so it makes sense that Fire by Friction would be one of the available workshops. Hosted by Icarus Zuare, attendees learned how to make a fire using only wood. No flint, no matches, no lighter. Just you, Zuare, and a twig. He sat patiently with duo after duo giving every one hands-on assistance and advice as they worked to start a fire using only friction. And every one successfully did it.

LIB is also known as an environmentally friendly festival, encouraging sustainability. It won the Outstanding Award from A Greener Festival Foundation multiple times in the past few years. It is a “leave a positive trace” festival. This means what you take in with you, you take out. LIB works to educate attendees on what they can do to help the environment, and how to maintain sustainability at a festival through educational workshops, talks and booths. To this end, Lightning in a Bottle provided compost bins next to the trash and recycling bins.

Every day of the festival provided a new and incredible experience. The music was phenomenal, with the main stages – Lightning Stage, Thunder Stage and The Woogie – hosting some of the most talented individuals in today’s electronic music, while the Pagoda Bar and Favela Bar kept the beats bopping and the party hopping through the night. It was fairly easy to get caught up in the music until you remembered the large size of the festival, and how much more there was to explore.

From the art structures scattered throughout the grounds, to the smaller areas that hosted more music and games like the Grand Artique, to the different games that could be stumbled upon across the festival like the renegade bowling contraption, it was easy to get caught up in the adventure that was LIB before watching the sunrise from where you were: Temple Stage, Meditation Lookout, a hammock in one of the trees, or your campsite.

Photo by Dan Krauss